Showing posts with label paintings of battles. Show all posts
Showing posts with label paintings of battles. Show all posts

Thursday, February 7, 2013

The Battle of San Romano by Paolo Uccello

The Battle of San Romano-Paolo Ucello
The Battle of San Romano by Paolo Uccello depicts the historic battle of 1432 between Florence and Siena.  Within the work one can see the Sienese ambushing the Florentine commander Niccolo da Tolentino. Despite being outnumbered the Florentine army was able to maintain the battle for around eight hours before being subdued.

 Niccolo was a condottiere (professional mercenary) and a close confident of the House of Medici.  It is also possible to identify Niccolo by the red headdress and the Knot of Solomon on the banner.  The red headdress is designed to keep the viewer focused on the hero of the painting while allowing for better perspective of the battle. Broken lances on the ground are an indication of repeated battle and charges. 

Solomon’s knot is of significance in this artwork. Looking closely at the banner one is able to find this knot that is rightfully called the Seal of Solomon. Christians, Muslims, and Jews all claim a heritage to the Seal of Solomon with appropriate representations within their cultures.  The seal represents wisdom and knowledge.  It has been seen as the all faith symbol that is used to represent eternity. 

The artist Paolo Uccello (1397 to 1475 was a painter, author and mathematician. He painted many religious works of saints and noble figures that made their way throughout the region. At one time he was employed by the House of Medici to create fierce animals such as the lion fighting the venom serpent. Much of his time in Florence was spent painting for churches and wealthy patrons using these semi-religious symbolisms. 

Paolo, as a mathematician, also focused on illusions. His goal was to create the vanishing point where three dimensions of space are depicted on a two dimension surfaces. It was part of his Pythagorean ecstasy to use math within his pictures to create perspectives. One can find this math in the arrangement of broken lances on the ground. All of the ground pieces can be traced to their vanishing point.  The vanishing point is where everything comes together and gives a point of reference to understand the mathematical curves in the rest of the painting.