Sunday, November 28, 2021

The Analysis of 'Power of Death' Painting (1889) by William Holbrook Beard

Painting is one of the highest forms of human expression. It carries with it time honored traditions and values that would be forgotten without sharing them from generation to generation. These values come from our very core coding as a species and will manifest in each generation in one form or another because they are based in our inherited survival skills (i.e root such as love, hate, anger, fear, etc...). Art is a manifestation of interior experiences (See Art Psychology Evolution) as an outward expression of core cultural expressions (especially if the are seen over and over from different societal corners.).

The painting 'Power of Death' by William Holbrook Beard symbolism focuses on the inevitability of death in which no powerful creature on the planet can avoid or escape (i.e. no matter how much the tiger claws.). You can see from the different carcasses, triumphant foot on elephant's neck and the strangling of thrashing tiger that our lives are temporary no matter our perceived skills and abilities. The big elephant is not immune and the tiger can claw but he will also succumb. (Covid might have helped us change some of our assumptions of mortality).

One might be able to look at deeper symbolism such as the pure burial shroud, the brutality of a club, half skull face, Death's gaze into the heavens, the background of scorched earth and the setting of the sun into darkness. To Death he is doing his job and has done it 1000's of times before and seems to feel no real connection to his victims anymore than a person might feel pity to a chicken in a chicken farm factory (This is why the absence of empathy doesn't give honor to life and we call it evil. In modern times we use more scientific concepts to describe this absence of remorse.)

While we should fear death in some respects, or more appropriately we should fear not living a meaningful life, paintings such as these help us think about our responsibilities and legacies. We will all end in the same place but it is those who think about life before death (called self-reflection on self and society) that can seek to contribute meaningfully to the world around them. In other words, if we are all here only for a short time then we should spend that time wisely; assuming we are aware of our mortality. 

Art tells us an awful lot about society and in turn also reflects our culture; whether American or other (See Sociology of Art). Art is a cultural artifact that often taps into essential values and in turn influences our perspective of life within our cultural vantage point. It isn't just an exercise in awe and wonder but also of understand the roots of our collective conscious (See Jung and Collective Conscious) Being familiar with different artifacts of repeated cultural experiences often tells you the assumptions of values within our society and how those are applied to our experiences.

The painting "Power of Death' is more accurately depicting the sanctity of life and the misguidance of a false self of importance.  We all have value and when guided through education and prosocial behaviors can create meaning to life. 

William Holbrook BeardPower of Death, c. 1889–90, oil on board, Fogg Art Museum, Harvard University, Cambridge




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